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The actor, who played Walter Vanangamudi in the film, has pushed all boundaries and thereby set for himself a brand new benchmark.

With several critics surprised by his performance in the movie, Vishal has been on a new high off late.

He even recalled once in his interview that, he couldnt even see what was in front of him during that time.

Even he started off to hit the drinks to eliminate the pain who was then knocked off the habit with the help and support of co-star Arya.

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Of course, Sethu, Nanda, Pithamaghan and Naan Kadavul have been the ample evidences that gave a major break for the actors Vikram, Suriya and Arya.

Naturally, the surprising look of Vishal as a squint-eyed lad made it clear that the actor is one to go through the process this time and so is Arya, who has already experienced the Midas-touch of Bala with Naan Kadavul.

However at the same time, the filmmaker seems to have opted for a slightly different climax from his previous movies.

Thanks to Bala for travelling into unknown territories of Vishals panorama.

The actor is in stark contrast from his previous films and if youre curiously looking out for his best shots, it starts right from his introduction song, where he shakes his legs dressed up like a woman.

But the ultimate master-stroke is where he exhibits Navarasas on the podium as he walks away carrying great appreciations for nine different facial expressions.

Not to miss his breathtaking action sequences, it is much evident that he must have gone through toilsome moments for these sequences.

His rollicking behaviorism throughout the film and reaction to an unbearable shock during climax are clap-worthy moments.

Kumar as the world-weary Zamindar steals the show with his effortless performance.

The scene where he expresses his anger towards Vishal and Arya is a sample.

G.M Kumar also joins the list of very few actors who dared to go bare in films.

Janani Iyer and Madhu Shalini do not have much to do and yesteryear actress Ambika exerts her proficient act as a mom, who smokes beedi and demands her son to save up some liquor for night.

One could literally become puzzled and impatient over the proceeding of the story until a twist that appears only during last 30minutes of the movie.

Disappointing to see few promising tracks - Avanpathi and Oru Malayoram missing in the movie.

Yuvans background score does influence the visuals with violin, veena and strings being well orchestrated.